In an interview with Sean O’Hagan in today’s Observer, Damien Hirst reveals all - his first piece of art, his Yorkshire background, his attitude to art and money - and his new show in Mexico.
Dominated by human skulls and dead sheep, Hirst’s show, The Death of God, is bound to add to the current furore about religion and what is acceptable. It was Gilbert and George’s current White Cube exhibition, Sonofagod and Chris Ofili’s The Holy Virgin Mary that dominated the news pages these last two weeks - and their comparisons with the Muslim outrage at cartoons of the Prophet.
I’m guessing Hirst’s new show will only add fuel to the already burning fire as his pieces include praying and crucified sheep carcasses. “‘I don’t believe in God,’ he says, ‘but it’s a phenomenal idea - the afterlife, the spirit. I’m just reformulating the core questions Gauguin asked, that every artist asks - where do we come from, where are we going, what’s it all about, Alfie?’
Make your own mind up here